Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe. Related Paintings of Caravaggio :. | St John the Baptist | Magdalene (detail) fdf | St John the Baptist fdg | Medusa | The Incredulity of Saint Thomas dsf | Related Artists:
Fidelia Bridges1835-1923
Fidelia Bridges Gallery
Pieter Cornelisz. van Slingelandt(20 October 1640 - 7 November 1691) was a Dutch Golden Age painter.
According to Houbraken, his teacher was Gerard Dou, who he imitated so well that many of his works were later misattributed to him. According to Houbraken he was rather introverted and very methodical and conscientious, spending months on his works and striving for perfection. Houbraken especially liked a piece where a maid holds a mouse by the tail as a cat jumps for it.
Houbraken wrote that while Slingelandt was working on a family portrait for the gentleman Francois Meerman (1630-1672),
MEYTENS, Martin vanDutch painter (b. 1695, Stockholm, d. 1770, Vienna).
was a Swedish-Austrian painter who has painted people of the royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francois III and his family, and many other royal paintings. His painting style has inspired many other painters to paint in a similar format. Martin van Meytens was born on June 16, 1695 and was later baptised in Stockholm, Sweden. He studied other great painter's works and in 1717 he had a great success in painting enamel paintings and miniatures, but later went on to greater task. In 1723 he began to paint large portraits of royal courts